Jason Ciepley

Cieply Andrei Platonov i zhivaia dialektika pushkinskogo personazha, Filologicheskii klass 26, no. 1 (2021): 87-97.

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"The 'Strangely Apolitical' Politics of Tora Lane's Platonov," Stasis 10, no. 2 (Winter 2021): 230-251.

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REVIEWS Any, Carol. The Soviet Writers' Union and Its Leaders: Identity and Authority under Stalin. Forthcoming in Russian Review 84, no. 4 (2021).

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TRANSLATIONS Roman Osminkin, "How Poetry is Made in the 20th Century," in Production. Documentation. Intervention. Art Practices in Unofficial Soviet Culture (1960s-1980s) ed. Ilja Kukuj and Brigitte Obermayr (Boston: Academic Studies Press, 2021).

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Skaz, Stiob, and the Afterlife of Revolutionary Affect ASEEES Annual Convention, New Orleans, November 2021

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The University of Rochester, April 2021

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"The Enthusiastic Objectifications of Skaz: Mikhail Zoshchenko and the "Simple-Souled" Soviet Reception of Jazz," Russian Review 79, no. 3 (June 2020) 389-414.

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"Ne k ob"ektam, a k ob"ektivatsii: o poezii, revoliutsii i Romane Osminkine," Poezii i revoliutsiia: Sbornik statei i dokladov, proceedings from Pervye Osminkinskie chteniia (2020): 8-11.

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"Protiv karantinnogo solipsizma," Translit 23 (2020): 38-39

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Suffering Without Subjectivity: Dmitry Golynko's "Object-Oriented" Chernukha ASEEES Annual Convention, Virtual, November 2020

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"The 'Post-Post' Stiob of Monetochka: Performing in the Media Scape of the Russia of Putin's Fourth-Term" AATSEEL Conference, San Diego, February 2020

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"Andrei Platonov and the 'Living Dialectic' of the 'Pushkinian Person'," Pushkin Review 20 (Winter 2019): 87-99.

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Andrei Platonov, "Pushkin and Gorky," Pushkin Review 20 (Winter 2019): 117-139.

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Roundtable: Repchik: Russian Rap and Post-Soviet Culture ASEEES Annual Convention, San Francisco, November 2019

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Roundtable: "Leftist Tendency in Contemporary American Slavic Studies" Pordiadok slov bookstore, St. Petersburg, July, 2019.

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"Non-Identitarian Revolution: 'Object-Oriented' Protest Art in Russia since 2011-2012" CFLLC Colloquia, Williams College, May 2019

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"The Dialectics of Skaz: Towards an Apology for Possession by the Voice of the Class Other," Translit in Translation 2 (Fall 2018): 94-106.

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"Non-Identitarian Revolution: 'Object-Oriented' Protest Art in Russia since 2011-2012," www.trans-lit.info (2018)

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Arns, Inke, Igor Chubarov, and Sylvia Sasse, eds. Nikolai Evreinov & Others, "The Storming of the Winter Palace." In Russian Review 77, no. 4 (October 2018): 648-649.

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Pavel Arsenev, "Object-Oriented Poetry," Translit in Translation 2 (Fall 2018): 64-68.

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Roman Osminkin, "Blink Twice if You've Been Taken Hostage," "Is Poetry Possible After the Age of Trump," "In Every Passerby I See a Cop," "Dance However You Can," "Class Warfare, I Love You So," "Sometimes You Walk Up to a Worker and Ask Him...", "Self-Objectification," "The Literalization of Metaphors," "The Word of the Wealthiest Billionaire "of All Rus'...", "In Irkutsk More Than 70 People...", "After the meetings against corruption in Russia," forthcoming in $500 (New York: N+1, 2018).

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Elena Dolgopiat, "The Victim," in 21: Russian Short Prose from the Odd Century, ed. Mark Lipovetsky (Brighton: Academic Studies Press, 2018): 103-126.

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Mariia Boteva, "Where the Truth Is," in 21: Russian Short Prose from the Odd Century, ed. Mark Lipovetsky (Brighton: Academic Studies Press, 2018): 291-299.

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Cieply Evgenii Shklovsky, "The Street," in 21: Russian Short Prose from the Odd Century, ed. Mark Lipovetsky (Brighton: Academic Studies Press, 2018): 15-22.

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"Dialektika skaza: k apologii oderzhimosti klassovo chuzhdym golosom," Translit 20 (2017): 26-39.

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Roman Osminkin, "Is Poetry Possible After the Victory of Trump," N+1 (Online Only) (May, 2017)

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Pavel Arseniev, "That Week Everything Suddenly Became Somehow Off-Topic," "Offline," "Dear Cultural and Media Workers...", N+1 (Online Only) (May, 2017)

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"The Silent Side of Polyphony: On the Disappearances of 'Silentium!' from the Drafts of Dostoevskii and Bakhtin," Slavic Review 75, no. 3 (Fall 2016): 678-701.

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Roman Osminkin, "Apolitical," "The Hipsters Are Coming," "Love Your Motherland Dear Son," and "Ural Decadence" in Not a Word About Politics (New York: Cicada Press, 2016): 174-197.

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Mikhail Gasparov, "Briusov and Literalism," Russian Writers on Translation: An Anthology, ed. Brian James Baer and Natalia Olshanskaya (Manchester: St. Jerome, 2013): 132-134.

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Samuel Marshak, "Robert Burns Turns 200," Russian Writers on Translation: An Anthology, ed. Brian James Baer and Natalia Olshanskaya (Manchester: St. Jerome, 2013): 92-93.

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Samuel Marshak, "The Poetry of Translation," Russian Writers on Translation: An Anthology, ed. Brian James Baer and Natalia Olshanskaya (Manchester: St. Jerome, 2013): 93-95.

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Valerii Briusov, "A Few Reflections on Translating Horace's Odes into Russian Verse," Russian Writers on Translation: An Anthology, ed. Brian James Baer and Natalia Olshanskaya (Manchester: St. Jerome, 2013): 69-71.

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Valerii Briusov, "On the Translation of Virgil's Aeneid," Russian Writers on Translation: An Anthology, ed. Brian James Baer and Natalia Olshanskaya (Manchester: St. Jerome, 2013): 71-73.

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Non-Identitarian Revolution: "Object-Oriented" Protest Art in Russia since 2011-2012

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---rtemy Magun, The Temptation of Non-Existence: An Encyclopedia of the Dialectical Sciences, Volume 1: Aesthetics (Under work, TBA).

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Nariman Skakov, "Ekphrastic Metaphysics of Dzhan," Ulbandus: The Slavic Review of Columbia University 14

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WORK IN PROGRESS Enthusiastic Objectifications: Revolutionary Feeling and the Politics of Interclass Imitation in Early-Soviet "The Poetics of Engagement: Revolutionary Affect and Collective Subjectivity in Roman Osminkin's Techno- Poetry" Participation in Symposium, "Performance Geographies after Communism" University of Wisconsin-Madison, April 2022

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Slavists and their Subjects: Who's Colonizing Whom? AATSEEL Conference, Philadelphia, February 2022

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"The Enthusiasm of Andrei Platonov: Narrating Socialist Feeling 'For Future Use'"

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