Jonathan Kregor

"Bu low's Beethoven Project, Op. 26, and the Evolution of the 'Modern' Suite," Beethoven-Perspektiven 2020, Bonn, Germany

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College-Conservatory of Music, University of Cincinnati

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Friends of CCM Faculty Projects Pool Award

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Graduate School of Arts and Sciences, Harvard University

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Programme Music in the Long Nineteenth Century: Practices, Controversies, Legacies, ed. Jonathan Kregor, "Speculum musicae" series, Turnhout: Brepols

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Liszt et la France: Musique, culture et socie te dans l'Europe du xixe sie cle, ed. Nicolas Dufetel, Dana Gooley, Malou Haine, and Jonathan Kregor. Paris: J. Vrin

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"The Symphonic Poem as Weltliteratur," MusikTheorie: Zeitschrift fu r Musikwissenschaft, in preparation

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"Bu low's Beethoven Project, Op. 26, and the Evolution of the 'Modern' Suite," Beethoven-Pespektiven, ed. Ju rgen May (Bonn: Beethoven-Haus)

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"Gabriel Faure sans paroles," in Gabriel Faure : Influences and Influence, ed. James Sobaskie (Boydell & Brewer, in preparation)

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"American Episodes in the Life of the Artist," in Hector Berlioz and His World, ed. Francesca Brittan and Sarah Hibberd (Chicago: The University of Chicago Press)

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"Remembering Clara Wieck in Vienna: Gender, Genius, and Genre in the Post-Beethoven Biedermeier," in Women's Agency in Schubert's Vienna, ed. Andrea Lindmayr-Brandl, Birgit Lodes, and Melanie Unseld (Vienna: Austrian Academy of Sciences)

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"Economies of Scale in the Liszt-Doppler Hungarian Rhapsodies," in The Integration of a Work: From Miniature to Large Scale, ed. Jim Samson and Zofia Chechlin ska (Warsaw: Narodowy Instytut Fryderyka Chopina)

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"Clara Schumann, 'Clara Schumann' and the American Press," in Clara Schumann Studies, ed. Joe Davies (Cambridge: Cambridge University Press)

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"Literature and Literary Heroes" (pp. 105-113), "Virtuosity" (193-201), "Transcription" (209-218), and "Pupils: Liszt as Teacher" (249-257), in Liszt in Context, ed. Joanne Cormac (Cambridge: Cambridge University Press)

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"A Crash Course in Chopinology," Nineteenth-Century Music Review 18

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"Program Music," with Rebecca Schreiber, in Oxford Bibliographies Online: Music, ed. Bruce Gustafson (New York: Oxford University Press), http://www.oxfordbibliographies.com

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"Paths Through the Lisztian Ossia," in Liszt and Virtuosity, ed. Robert Doran (Rochester: University of Rochester Press)

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"Program Music," in Richard Strauss in Context, ed. Morten Kristiansen and Joseph E. Jones (Cambridge: Cambridge University Press)

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"Liszt's Faust Complexes," in The Oxford Handbook to Faust in Music, ed. Lorna Fitzsimmons and Charles McKnight (Oxford: Oxford University Press)

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"Writing Program Music's Origin Stories, 1854-1907," in Programme Music in the Long Nineteenth Century: Practices, Controversies, Legacies, ed. Jonathan Kregor (Turnhout: Brepols)

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"Evolving Infidelity in Liszt's 'Einzug der Ga ste auf Wartburg'," Franz Liszt: Paraphrasen, Transkriptionen und Bearbeitungen, ed. Klaus Aringer (Sinzig: Studio Punkt Verlag)

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"Disavowing the Instrumental Battle Piece," Journal of Musicological Research 34

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"Forging 'Paganinis of the Piano' in the 1830s," Studia Musicologica 54

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"Transcription and the Legacies of the Composer-Pianist," in Liszt's Legacies, ed. James Deaville and Michael Saffle (Stuyvesant, NY: Pendragon Press)

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"Liszt and the Construction of a 'Panthe on musical'," in Liszt et la France, eds. Malou Haine et al. (Paris: J. Vrin)

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"Liszt's Late Songs, With and Without Words," Journal of the American Liszt Society 61-62

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"Franz Liszt," in Oxford Bibliographies Online: Music, ed. Bruce Gustafson (New York: Oxford University Press), http://www.oxfordbibliographiesonline.com

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"Stylistic Reconstructions in Liszt's Late Arrangements," The Musical Quarterly 91

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"Collaboration and Content in the Symphonie fantastique Transcription," The Journal of Musicology 24

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Franz Liszt, Beethoven: Piano Concerto Nos. 4 and 5 for Two Pianos, ser. III, vol. 5 of Neue Liszt Ausgabe (Budapest: Editio Musica)

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C.P.E. Bach, Sonatas from Manuscript Sources, ser. I, vol. 6.3, of Carl Philipp Emanuel Bach: The Complete Works (Cambridge, MA: Packard Humanities Institute)

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Clara Schumann, Arrangements for Solo Piano, Recent Researches in the Music of the Nineteenth and Early Twentieth Centuries 56 (Madison, WI: A-R Editions)

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C.P.E. Bach, Arrangements of Orchestral Works, ser. I, vol. 10.2, of Carl Philipp Emanuel Bach: The Complete Works (Cambridge, MA: Packard Humanities Institute)

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Franz Liszt, Grand Duo and Franz Schuberts Grosse Fantasie, for two pianos, ed. Agnes Sas and Adrienne Kaczmarczyk, in Journal of the American Liszt Society

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Erinn E. Knyt, Ferruccio Busoni and His Legacy, in Notes 78, no. 4

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Franz Liszt, Sardanapalo, ed. David Trippett, in Notes 78, no. 3

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Hyun Joo Kim, Liszt's Representation of Instrumental Sounds on the Piano: Colors in Black and White, in Studia Musicologica 61, nos. 3-4

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Joanne Cormac, Liszt and the Symphonic Poem, in Quaderni dell'Istituto Liszt 20

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Francesca Brittan, Music and Fantasy in the Age of Berlioz, in Journal of the American Musicological Society 73, no. 3

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Benedict Taylor, Towards a Harmonic Grammar of Grieg's Late Piano Music: Nature and Nationalism, in Studia Chopinowskie 5

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Daniel K L Chua, Beethoven and Freedom, in Notes 76, no. 1

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Wojciech Bon kowski, Editions of Chopin's Works in the Nineteenth Century: Aspects of Reception History, in Music & Letters 99, no. 4

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Matthew Bribitzer-Stull, Understanding the Leitmotif: From Wagner to Hollywood Film Music, in Notes 73, no. 3

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Franz Liszt and Marie d'Agoult, Correspondence, trans. Michael Short, in Notes 71, no. 3

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Shay Loya, Liszt's Transcultural Modernism and the Hungarian-Gypsy Tradition, in Notes 69, no. 2

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Kenneth Birkin, Hans von Bu low: A Life for Music, in Notes 68, no. 4

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Christophe Grabowski and John Rink, Annotated Catalogue of Chopin's First Editions, in Notes 68, no. 2

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Franz Liszt, New Liszt Edition, Supplement, vol. 6 ("Harmonies poe tiques et religieuses [Early Versions]"), ed. Adrienne Kaczmarczyk; Supplement, vol. 9 ("Harold en Italie [Berlioz] and Other Works"), ed. Adrienne Kaczmarczyk and Eszter Mikusi; and Supplement, vol. 11 ("Symphonies de L. van Beethoven [Early Versions]"), ed. Imre Mezo , in Nineteenth-Century Music Review 8, no. 1

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Serge Gut, Franz Liszt, in Notes 67, no. 2

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Paul Bertagnolli, Prometheus in Music: Representations of the Myth in the Romantic Era, in Journal of the American Liszt Society 59-60

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Halina Goldberg, Music in Chopin's Warsaw, in Notes 65, no. 4

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Benjamin Walton, Rossini in Restoration Paris: The Sound of Modern Life, in Nineteenth-Century Music Review 6, no. 2

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Kenneth Hamilton, After the Golden Age: Romantic Pianism and Modern Performance, in Notes 65, no. 2

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William Alexander Eddie, Charles Valentin Alkan: His Life and His Music, in Notes 64, no. 4

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Alan Walker, Reflections on Liszt, in Notes 63, no. 4

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Dana Gooley, The Virtuoso Liszt, in Nineteenth-Century Music Review 3, no. 2

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Ernst Burger, Franz Liszt in der Photographie seiner Zeit: 260 Portraits, 1843-1886, in Nineteenth-Century Music Review 2, no. 1

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"The Musical Curiosity in the Age of the Virtuoso; Or, Mortier de Fontaine Plays Handel," Annual Meeting of the American Musicological Society, Chicago, Illinois

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"Ernst Pauer and the Popularization of the Past," Annual Meeting of the North American British Music Studies Association, Oberlin, Ohio

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"Grading Liszt," International Conference, "Liszt and His Contemporaries in 21st-Century Eyes," Budapest, Hungary

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"Remembering Clara Wieck in Vienna," Women's Agency in Schubert's Vienna Conference, Austrian Academy of Sciences, Vienna, Austria

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"Smetana and the Symphonic Poem," Arbeitstagung Symphonische Dichtung - Interdisziplina re Perspektiven , Johannes Gutenberg-Universita t, Mainz, Germany

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"Ernst Pauer and the Popularization of the Past," Annual Meeting of the American Musicological Society, Online

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"Scaling Liszt's Hungarian Rhapsodies," International Chopinological Conference, Warsaw, Poland

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"From Apotheosis to Metanoia in Franz Liszt's Early Roman Religious Works," Society for Christian Scholarship in Music Annual Meeting, Southeastern Baptist Theological Seminary

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"Virtuosity and the Lisztian Ossia," University of Rochester, Eastman School of Music

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"Beethoven's Priestess or Biedermeier Offering? Clara Wieck in Vienna," Washington University, St. Louis

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"Gender, Nature, and Religiosity in Liszt's Musical Landscapes," annual meeting of the American Musicological Society, Louisville, KY

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"Gender, Nature, and Religiosity in Liszt's Musical Landscapes," Fourth North American Conference on 19th-Century Music, Merrimack College

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"Disavowing the Instrumental Battle Piece," Biennial Conference on Nineteenth-Century Music, University of Toronto

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